Star Wars Ep. VIII: The Last Jedi instal the new version for ipod

We are left to assume that the Force not only guided her back to safety but also protected her from suffocation, freezing, and the other biological nastiness. She lives, too, in spite of the instant death the cold vacuum of space would obviously inflict. Just as viewers resign themselves to a sad but inevitable goodbye … Leia lives. There would be meaningful irony in Leia being killed by her son’s minions, exactly at the moment her son chose to spare her. But this soon in the movie, this suddenly? And yet, the majestic way Johnson depicts her hurling through space feels like a farewell.

The audience knows that Carrie Fisher died, and so it expects that her character may be killed off.

It’s a gonzo sequence that invites groans alongside cheers, and it makes clear that The Last Jedi will do whatever the hell it pleases for the remainder of its significant runtime. The scene when The Last Jedi announced itself as, per Supreme Leader Snoke, “something truly special” will possibly be the most controversial part of the movie: General Leia getting blasted from the bridge of a Rebel cruiser into space and then, ever so gracefully, floating back to safety. The Last Jedi more fundamentally played with expectations about the story-and about Star Wars itself. Johnson understands that the most common kinds of OMG scenes in popular entertainment-big revelations or character deaths-are not the only way to make the audience gasp, though he does have plenty of those conventional shocks. Rogue One lavishly staged a story Star Wars fans had already heard, with one powerful-but perhaps inevitable-twist at the ending.īut The Last Jedi is a bolder leap, one that risks offending diehards with its swerves and subversions. Abrams, found novelty in casting, and packed in suspense about the nature of the new characters (who is Rey, really? will Kylo or won’t Kylo kill his dad?), but those characters mostly ran through a highly nostalgic obstacle course. The Last Jedi does this-but the quantity and quality of that newness is, well, new.ĭisney’s Star Wars films to date succeeded by refurbishing the original trilogy’s feel, from the hand-worn sets to the story arcs about disabling a giant weapon and discovering the hero inside oneself. They come to be told a certain kind of story, one that might squirrel newness into the specifics but still, in the end, feels like an updated version of an old model. Fans come to the Galaxy Far, Far Away not only to revisit the same locations and characters they love. But when it comes to a huge franchise like Star Wars, familiarity often wins out over shock. Surprise and suspense are at the heart of great entertainment.

Star Wars Ep. VIII: The Last Jedi instal the new version for ipod